55
2.0

关于路易莎

导演:
Olga,Baillif
主演:
Pieta,Brown,贝特朗·贝林,Fabrice,Adde,Thibault,Frisoni,Mélissa,Acchiardi,约翰·雷森,Manon,Rony,Zoé,De,Tarlé,Ada,Frisoni,Mona,Heftre,Bénédicte,Ober,Howe,Gelb,Emmanuel,Laskar,Christian,Lietard,Anouk,Amati
别名:
未知
2.0
55人评分
法语
语言
未知
上映时间
未知
片长
简介:
女主路易莎是一个不知名乐队的主唱,男友也是乐队成员之一。日子不咸不淡地过着。某天路易莎多年未见的父亲突然来找她,说自己得了胰腺癌,时日无多。路易莎起初以冷漠回应,但是往后的日子里,内心却很挂念父亲的病情,也烦闷于男友和乐队女乐手的暧昧关系。路易莎的状态日益消极,和其他乐队成员也开始疏离。父亲年轻时为了自由而忽视了家庭,令她一直耿耿于怀,但她父亲在她的生命里依然是非常重要的。她决定去父亲所在的小镇见父亲一面,父女的关系是否可以在这里得到修复?
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简介:陆野和席娟已离异,各自又有了新的选择,他们的儿子陆一和耐克公司经理陆建国的儿子陆依在同校同班学习,而且都穿耐克广告衫。刚从监狱获释的魏文彬,为了给狱中的哥儿们出气,敲诈陆建国不成,就纠集歹徒去绑架陆依,不料他们误绑了陆一。陆野、席娟寻子不见即向公安局报案。陆建国接到歹徒要赎金的电话,后又知陆一失踪,方知歹徒是冲着他来的,就将错就错,准备交赎金以图安宁。刑警队长石伟和助手先以夫妻离异、家庭解体和孩子可能出逃的线索去查找,后发现陆建国从银行提取三万元现金,而陆一的广告衫又是他送的,便推测陆建国的行动与失踪案有关。这时,魏文彬到海滨浴场来取赎金,偶然发现寻找陆一的启事,方知绑错了人,但又怕其中有诈,就让其情妇亚丽看住陆一。亚丽有意让陆一逃跑,夜料孩子刚到家又被魏文彬等人掳走。石伟、陆野、席娟从陆建国那儿得知真情后,陆野救子心切,独自行动。石伟获得的线索,又因陆野的莽撞而打乱了计划。魏文彬发现他已被公安人员盯上,就派歹徒杀人灭口。在混乱中,歹徒杀死了席娟。陆野欲与魏文彬拼命,这时石伟干警赶到与众匪徒激战,终于击毙了魏文彬。陆野与儿子团圆了。然而,这仍是一个不完整的家庭。
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398
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简介:Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series. ~ Mark Deming, All Movie Guide  The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport  both in their professional and daily lives  between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.  The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial. -Steve Grayson  my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty. - Jonathan Rosenbaum
784
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主演:
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