吞天巨鲨

简介：影片讲述了女主角罗罗在一次阴差阳错的际遇之中发现，现实生活世界好像在被某种神秘的力量控制着。在偶然遇到的少女夏天、费宁、依米的帮助下，罗罗见到了那个曾经在梦中呼唤过她的人的故事。

简介：《龙林逃生》讲述了陈义天、吴勇、梁丽娜、王燕玉等人坐着冒险之旅客运车前去原始森林历险旅游，途中车子出现故障遇到红火蚁、恐龙和被恐龙袭击的虎哥等人，大家互相关心、互相帮忙，最终安全地逃出了奇妙的原始森林。

简介：

本片通过一行科考人员在深山与巨型大猩猩的相遇以及相处，讲述了由猩猩养育的人类孩子顾尧与前来科考的马可父母相逢并且相识的过程，故事精彩曲折，画面壮美且瑰丽，展现了人与自然需要和谐相处的这一亘古不变的主题。

简介：公元2029年，未来世界是高科技与信息化的世界。人类生活水平的提高伴随着犯罪活动的高科技化，于是，专门镇压高科技犯罪的特殊部队——公安9课成立了。队长草薙素子，作为一位全身“义体化”的女警，带领公安9课不断展开行动。　　是次，公安9课帮助公安6课秘密解决了一位程序员外逃他国的麻烦琐事，又卷入传说中的黑客“傀儡师”的犯罪事件。当行动陷入僵局之际，傀儡师竟然不请自来，出现在公安9课！素子与她的战友们，不知不觉地被卷入了一场涉及政府的阴谋之中。　　本作根据1995年动画电影《GHOST IN THE SHELL》改编，系剧情不变、画面完全重制的作品。

简介：李（凯特·玛拉 Kate Mara 饰）是一名出色的企业问题分析解决专家，专门四处奔波，被陷入了困境的大企业出谋划策。某一日，她接受了一个极度机密的任务，被带到了一个无人知晓的神秘研究室，在那里，关着她需要解决的“问题”，然而，让李没有想到的是，这个人人谈之而色变的难题，竟然是一个叫摩根（安雅·泰勒·乔伊 Anya Taylor-Joy 饰）年轻女孩。　　摩根虽然看似普通，但实际上却是生物工程学所研究出的杰出作品，她没有父亲，没有母亲，是由单纯的DNA进化而来。摩根拥有着极为敏捷的行动，异常聪慧的头脑，相当惊人的生长速度，这一切让科学家们很快就感受到了强大的威胁。

简介：公元2080年，由于太阳能天幕的应用，人类基本上摆脱了能源危机。由于新能源的广泛应用损害了众多传统能源商人的利益，他们想法设法要除掉发明太阳能天幕的马博士。时值马博士发明太阳能天幕十周年纪念，未来警察周志豪（刘德华 饰）与妻子美莉（范冰冰 饰）负责大会的安保工作，不料受命于能源商人的卡龙（樊少皇 饰）带领手下的改造人兵团中途闯入大会现场，企图杀死马博士。为了保护马博士，由周志豪带领的众多未来警察们与改造人兵团发生激战，在掩护马博士离开会场之时，周志豪妻子美莉不幸牺牲，卡龙一方也损失惨重。并未杀死马博士的能源商们事后窃取政府正在研发的时光旅行绝密资料，并且把卡龙和妻子斐娜改造成为终极杀人工具，他们要回到过去杀死年轻的马博士，以图改变未来。为了保护马博士，满怀丧妻之痛的周杰豪被改造成为超级战士，携女儿淇淇（徐娇 饰）回到2020年寻找并保护年仅12岁的马博士……

简介：

When her parents are murdered, Nneka encounters the Queen of the Coast who offers to help her in revealing the identities of people who killed her parents. This changes the course of her life as she sets out on a mission of revenge.

简介：一位自称普洛特的戴墨镜男人（凯文•斯帕西 Keven Spacey 饰）突然出现在纽约中央公园车站。他自称来自天琴座附近距地球一千光年的K-PAX星，以超光速来到地球考察。普洛特被当作精神病人入住曼哈顿精神病院，受到马克•鲍威尔医生（杰夫•布里奇斯 Jeff Bridges 饰）的治疗。马克认为普洛特是妄想症患者，却又对普洛特的奇怪行为和不可思议的天文知识将信将疑。同时，普洛特的到来在病院中其他病人中造成轰动，人人都希望能被选中随普洛特回K-PAX星。马克医生竭尽全力希望找出普洛特的真实身份，却没想到自己竟在此过程中越来越被普洛特的理论所说服。普洛特的真实身份究竟为何？　　本片被提名美国科幻、幻想和恐怖电影协会最佳男主角（凯文•斯帕西）。

简介：当五个朋友在一个偏远的湖畔度假时，他们期待着一个不错的时光，不知道地球正在遭受外星人入侵和大规模绑架。

简介：

‘如果神用六天创造出了世界，我将在六十分钟内破坏殆尽，创造出乐园’ 　　突如其来现身的谜之男子伊斯 / 假面骑士Eden，与信仰他的一亿名信徒一起，于世界各地引发多起恐怖行动。当人们接连崩溃倒下，世界处于大混乱之中，为了阻止埃斯而站出来的飞电或人、不破谏、刃唯阿、天津垓，以及灭亡迅雷.net的迅、灭等人，作为假面骑士在与敌人战斗时奋力追查真相。 　　到底，拥有压倒性强大力量的伊斯真面目到底是。伊斯试图创造乐园，又到底有什么意图？ 　　跨越人类和AI的隔阂，用60分钟拯救世界！

简介：在不远的将来，世界秩序发生了质的改变。充斥着数百万失业人员的法国变成了一个赤贫的国家，人们在反抗和妥协间寻求出路，合法使用兴奋剂不择手段的格斗比赛成为了人们情感宣泄的途径。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.